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HAROLD ROBBINS

THE MAN WHO INVENTED SEX

Drivel about a driveler.

The superficial life of the superficial author of all those superficial, lubricious and extraordinarily popular sleaze-fests of the 1950s, ’60s, ’70s and ’80s, when ghost writers replaced the dying doyen of the “dirty novel.”

Wilson (Beautiful Shadow: The Life of Patricia Highsmith, 2003, etc.), hasn’t come up with much here. From an early age, Harold Robbins (born Rubin) gleefully lied about his life, inventing episodes and characters as facilely as he did later at his typewriter. So his biographer was forced to look at public records like census data and high-school attendance sheets, to conduct interviews with survivors (neither of Robbins’ two daughters offers much here) and to wax creative. For example, Wilson begins each chapter with a Robbinsian passage along the lines of “next to having sex, driving a cool car was one of the greatest pleasures of his life” and generally ends with a brisk, “keep-on-reading” sentence such as “but even fiercer sex and censorship battles lay ahead.” This ludic silliness aside, Wilson settles for skating along the admittedly high-gloss surface of Robbins’ life. Yes, his was a Horatio Alger–style tale; Robbins actually rose from stock boy to pen The Carpetbaggers and other lucrative titles. And, yes, the text makes it patent—and ultimately rather dull—that Robbins liked sex. Lots of it. Wilson tries hard to establish that it was women the author liked, not the services they provided, but after witnessing some of Robbins’ escapades and “preferences” (prostate massages are among the milder ones), readers may well want to head for the shower. The man could sell books, though: 750 million or so, which for a while provided him with villas, yachts, fast cars and fast lanes and accommodating (young) women. Massive debts and a wheelchair, however, were his ultimate fate.

Drivel about a driveler.

Pub Date: Sept. 1, 2007

ISBN: 978-1-59691-008-9

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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