A novel whose epic, blockbuster-size scale and ambition work sometimes to its advantage and sometimes not—but all in all a...

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THE SPANISH BOW

The fiction debut by journalist Romano-Lax (Searching for Steinbeck’s Sea of Cortez: A Makeshift Expedition Along Baja’s Desert Coast, 2002) is a sprawling historical novel about a cello virtuoso who, over a 75-year career, finds himself embroiled in all the great political and artistic convulsions of 20th-century Europe.

Feliu Delargo is born in a Catalan backwater in 1892. Soon afterward, his father, a customs official, is killed in a fire abroad. He bequeaths his children a few prized objects, and Feliu chooses as his remembrance and his destiny a glossy cello bow. For eight decades, Feliu and the bow are never parted. After long tutelage, Feliu teams up with the man who was his first idol and benefactor, piano prodigy Al-Cerraz, and their bickering friendship and collaboration becomes the novel’s backbone. Between 1900 and 1940, concerts take Feliu all over Europe and put him into contact with such figures as Queen Ena, Picasso, Elgar, Breton, Kurt Weill—and eventually, tragically, with Feliu’s dead brother’s one-time companion-at-arms, Francisco Franco. The book is almost dizzyingly episodic, but bound together by Feliu’s lifelong struggle with the question of the proper relationship between music and politics, a subject Romano-Lax handles with finesse. The book climaxes in a tragic scene in which Feliu, Al-Cerraz and their violinist, an Italian Jew who is Feliu’s great unconsummated love, are pressed into performing at a 1940 meeting of Hitler and Franco in Vichy France.

A novel whose epic, blockbuster-size scale and ambition work sometimes to its advantage and sometimes not—but all in all a deft, inventive debut.

Pub Date: Sept. 1, 2007

ISBN: 978-0-15-101542-9

Page Count: 560

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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To use the parlance of the period, a highly relevant retrospective.

SUMMER OF '69

Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.

As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.

To use the parlance of the period, a highly relevant retrospective.

Pub Date: June 18, 2019

ISBN: 978-0-316-42001-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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