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MOON RIVER AND ME

A MEMOIR

Equal parts oddly compelling and eye-crossingly dull.

Octogenarian crooner submits his Horatio Alger tale.

In the 1960s, easy-listening icon Andy Williams’s velvety voice and handsome mug became associated with a culturally conservative side of America that never embraced rock ’n’ roll. But as we learn in this surprisingly candid memoir, Williams endured a pre-success hard-knock life that rivaled the squalid upbringings of many country singers or rock stars. Raised during the Great Depression in tiny Wall Lake, Iowa, a pre-adolescent Williams and his brothers were pushed hard by their hyperambitious manager father, singing at local church socials and anywhere else they could find work. Soon the family was living a peripatetic working-class existence, moving to Des Moines, then Chicago, then Los Angeles, doing radio shows and picking up the odd decent-paying gig. In L.A., however, his father’s dogged persistence paid off when he got the brothers bit parts in a few Hollywood films. However, making it as a solo act in the post–World War II entertainment landscape nearly undid the workaholic singer. At his lowest point he was playing dingy nightclubs to little acclaim and sleeping in vermin-ridden flophouses—he once even resorted to eating dog food. Even as he began to have success on television, hosting the Andy Williams Show, while becoming a million-selling recording artist, life was still tough. Two marriages ended in divorce, and one ex-wife, singer Claudine Longet, was later involved in a controversial shooting. The author’s peak years in the late ’60s are the least compelling, as Williams rambles on about the fruits of success: art collecting, investing in Arabian horses, celebrity golf tournaments and run-ins with the Rat Pack, Elvis, John Lennon and seemingly every major or minor showbiz luminary of the day.

Equal parts oddly compelling and eye-crossingly dull.

Pub Date: Oct. 13, 2009

ISBN: 978-0-670-02117-8

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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