LILY BROWN’S PAINTINGS

Lewis’s dynamic brush combines two art styles to show the interaction between a girl’s real life and her imaginative life inside her paintings. Lily Brown “loves her mama, daddy, and baby brother and the world they live in,” but nothing compares to her passion for painting, an act that “makes her world start to change.” The universe becomes “a big colorful splash”: stars from the sky patronize sidewalk cafés, trees wear hats and antelopes lounge in the park on chaises longues. A luscious spread shows jubilant apples, oranges, bananas and pears laughing and speaking. Lewis smoothly but intriguingly integrates his own deft watercolor skill with a child-like style representing Lily’s work. The gorgeously shadowed and sophisticated figure of Lily with palette or brush is perfectly positioned next to a child-style portrayal of stars or a rainbow. This is about art and color as much as imagination. Lovely and buoyant. (Picture book. 3-7)

Pub Date: Jan. 1, 2007

ISBN: 0-439-78225-2

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2006

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I CAN BE ANYTHING!

A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)

Pub Date: March 1, 2010

ISBN: 978-0-316-16226-5

Page Count: 32

Publisher: Little, Brown

Review Posted Online: April 14, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality.

WHAT IF...

A testament to the power of an imaginative mind.

A compulsively creative, unnamed, brown-skinned little girl with purple hair wonders what she would do if the pencil she uses “to create…stories that come from my heart” disappeared. Turns out, it wouldn’t matter. Art can take many forms. She can fold paper (origami), carve wood, tear wallpaper to create texture designs, and draw in the dirt. She can even craft art with light and darkness or singing and dancing. At the story’s climax, her unencumbered imagination explodes beyond the page into a foldout spread, enabling readers both literally and figuratively to see into her fantasy life. While readers will find much to love in the exuberant rhyming verse, attending closely to the illustrations brings its own rewards given the fascinating combinations of mixed media Curato employs. For instance, an impressively colorful dragon is made up of different leaves that have been photographed in every color phase from green to deep red, including the dragon’s breath (made from the brilliant orange leaves of a Japanese maple) and its nose and scales (created by the fan-shaped, butter-colored leaves of a gingko). Sugar cubes, flower petals, sand, paper bags, marbles, sequins, and lots more add to and compose these brilliant, fantasy-sparking illustrations.

This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality. (Picture book. 3-7)

Pub Date: April 3, 2018

ISBN: 978-0-316-39096-5

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 13, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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