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MIXED

MY LIFE IN BLACK AND WHITE

A well-crafted portrait of growing up biracial in the United States.

From the executive story editor of Scrubs, a terrific memoir about her Philadelphia childhood.

Nissel’s mother, a Black Panther from West Philadelphia, married a white man from upstate Pennsylvania; together they had two children. “Where are you from?” was the refrain Nissel and her brother most often heard from whites; from blacks, it was, “You talk white.” Determined to find her niche, she tried to become “more authentically black” by wearing cornrows, which lasted until she dived underwater at the local pool. She also considered Judaism, reflecting, “They have their own school and their own language. It’s like a club.” (A friend replied: “Well, for your sake, it’d better be a nice club because being black and Jewish, you won’t be able to get into any other ones.”) After her philandering father abandoned them, the family moved frequently, living—and earning equal doses of scorn—in neighborhoods both poor and wealthy. While a student at the University of Pennsylvania, Nissel posted an online journal about her financial struggles that was later published as The Broke Diaries (not reviewed). But it wasn’t poverty that led to her brief hospitalization for clinical depression during college; despite her quips about racism, endless queries regarding her ethnicity proved wearing. A fellow student in what Nissel jokingly refers to as the “Nation of Islam Lite” broke off their friendship, citing as her reason, “a child is the race of his father.” During a temporary gig with the IRS, a white female coworker asked her to recommend books about “the black experience.” Eventually, Nissel decided to try her fortunes on the West Coast, where she seems to be thriving. Readers will be grateful that she’s willing to revisit her challenging past: Colorful anecdotes, marvelous dialogue and a thoughtful narrative make this memoir a delight.

A well-crafted portrait of growing up biracial in the United States.

Pub Date: March 21, 2006

ISBN: 0-345-48114-3

Page Count: 240

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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