An offbeat, enigmatic parable of otherness and attachment, with a style to match.

SOMETHING LIKE BREATHING

A curious, sometimes-comic tale of female friendship set on a remote Scottish island fuses the bizarre, the banal, and the miraculous.

In her debut novel, English poet and short-story writer Readman explores the contrasting perspectives of two teenagers whose uneasy relationship as friends and neighbors begins when Lorrie Wilson and her family return to live on the island where her grandfather runs a whisky distillery. The next-door cottage is inhabited by widowed Bunny Tyler and her daughter, Sylvie, a shy, sealed-up child who is as unpopular at school as Lorrie is quickly popular. Set first in 1957 and then 1960, Readman’s quirky story happily evokes the texture of daily life in a distant place and era—Tupperware boxes, biscuit barrels, Mario Lanza on the radio, Domestic Science classes, and portable record players. In this world, Lorrie tends toward the predictable, finding a new, more glamorous friend called Blair and beginning to experiment with boys. Sylvie, meanwhile, retains her oddness, wearing shapeless, ugly clothes and refusing to kiss a boy who, surprisingly, is attracted to her. Her secret and Bunny’s smotheringly repressive response to it contrast with Lorrie’s warmer but still mildly peculiar household, from which her father disappears for several days, then returns without shoes or car, having given them away to needier folk. Odd and slightly out-of-kilter, Readman’s narrative has an essential deadpan charm, dotted with striking, sideways observations, yet her inventive premise, once launched, seems to run short of ideas as to where it might go. Nevertheless, and despite its simplicity, the story lends itself to multiple layers of interpretation and metaphor—the limits of friendship; mythmaking; the unavoidable exploration of self—and ends with a breezy admission of life’s opacity.

An offbeat, enigmatic parable of otherness and attachment, with a style to match.

Pub Date: Jan. 15, 2019

ISBN: 978-1-911508-30-4

Page Count: 256

Publisher: & Other Stories

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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