A tribute to the essential substance, washed free of preachiness or even faintly cautionary messages.

WATER'S CHILDREN

CELEBRATING THE RESOURCE THAT UNITES US ALL

Twelve children from different areas of the world offer lyrical reflections on what water means to them.

To Delaunois’ fictive cast water invariably sparks positive feelings—even for a Catalan lad watching his village being flooded by a dam “for the sake of new power, / the reservoir that holds the energy to light up distant cities. / For me,” he concludes, “water is the night that blazes like day.” It is valued in places where it is a scarce resource too: to a Moroccan desert child water is “a cup of mint tea,” and it’s “an outstretched hand” from a tank truck for a child in drought-stricken Mauretania. Though the specific locale of each young speaker is keyed only by a watermarked version of “Water is life” embedded in the illustration that is translated into his or her script and language (identified in a list at the end), Frischeteau varies the skin color and, albeit in an idealized way, facial features of his human figures. He also often adds characteristic wildlife, national dress, or other cues to each locale. Following an unborn child’s “For me, water is the song of my mother: / the ocean of her belly where I am transforming myself,” the author concludes that “for all of us, water is a matter of life.”

A tribute to the essential substance, washed free of preachiness or even faintly cautionary messages. (Picture book. 6-8)

Pub Date: April 21, 2017

ISBN: 978-1-77278-015-4

Page Count: 32

Publisher: Pajama Press

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Formulaic but not stale…even if it does mine previous topical material rather than expand it.

HOW DO DINOSAURS SHOW GOOD MANNERS?

From the How Do Dinosaurs…? series

A guide to better behavior—at home, on the playground, in class, and in the library.

Serving as a sort of overview for the series’ 12 previous exercises in behavior modeling, this latest outing opens with a set of badly behaving dinos, identified in an endpaper key and also inconspicuously in situ. Per series formula, these are paired to leading questions like “Does she spit out her broccoli onto the floor? / Does he shout ‘I hate meat loaf!’ while slamming the door?” (Choruses of “NO!” from young audiences are welcome.) Midway through, the tone changes (“No, dinosaurs don’t”), and good examples follow to the tune of positive declarative sentences: “They wipe up the tables and vacuum the floors. / They share all the books and they never slam doors,” etc. Teague’s customary, humongous prehistoric crew, all depicted in exact detail and with wildly flashy coloration, fill both their spreads and their human-scale scenes as their human parents—no same-sex couples but some are racially mixed, and in one the man’s the cook—join a similarly diverse set of sibs and other children in either disapprobation or approving smiles. All in all, it’s a well-tested mix of oblique and prescriptive approaches to proper behavior as well as a lighthearted way to play up the use of “please,” “thank you,” and even “I’ll help when you’re hurt.”

Formulaic but not stale…even if it does mine previous topical material rather than expand it. (Picture book. 6-8)

Pub Date: Oct. 20, 2020

ISBN: 978-1-338-36334-0

Page Count: 40

Publisher: Blue Sky/Scholastic

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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