Next book

OUR LITTLE RACKET

A book that shows just how boring the rich truly are.

The failure of an investment bank is bad news for the family of the CEO.

Madison D’Amico, the teenage protagonist of Baker’s debut, has been rigorously trained by her mother, Isabel, in the hyperawareness and discipline required of the rich and beautiful: eat grapefruit, say little, trust no one. This conditioning will shape the way she deals with the crisis that jolts her well-cushioned adolescence when her father’s investment bank is shut down, with him to blame, and to be charged, for its failure. Over many lugubrious chapters, she and her ice-queen mother will suffer the bottomless, nervy schadenfreude of their Greenwich, Connecticut, community. Also miserable will be the family’s nanny, Lily; Isabel’s one female friend, Mina Dawes; and Madison’s one female friend, Amanda, whose father is the journalist leading the charge against the CEO. After a couple weeks in hiding, D’Amico comes home to hole up in his study and, in a series of late-night conversations, confides the inside story nobody knows to his teenage daughter. Based on a series of epigraphs quoting Richard Fuld of Lehman Brothers—Fuld was called the Gorilla, D’Amico is called the Silverback, etc.—the story mirrors real events. Yet the lifestyles and financial maneuverings depicted all feel generic; if this is an insider’s story, it doesn’t read like one. There is a bewildering amount of interior monologue from the five main female characters; the most banal conversation is plotted, managed, and second-guessed to a deadening degree, creating endless low-level tension that goes nowhere. On the other hand, potentially interesting plotlines, like the one about the nanny's boyfriend's connection to a wannabe investigative blogger who is stalking Madison, are underdeveloped, then tied hastily in a bow in the final pages.

A book that shows just how boring the rich truly are.

Pub Date: June 20, 2017

ISBN: 978-0-06-264131-1

Page Count: 512

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview