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THE SWEETNESS OF LIFE

A BIOGRAPHY OF ELISABETH LOUISE VIGÉE LE BRUN

A scholarly, illuminating biography of one of the 18th century’s most successful female portraitists. Although her paintings appear in museums the world over, critics and historians have often given VigÇe Le Brun short shrift, faulting her for the complaisant quality of her art. Here Goodden, a fellow in French at Oxford University, duly notes this tendency but also makes plain the aesthetic and economic constraints within which the artist had to work. For although she was the daughter of a minor portrait painter and precociously talented as a child, VigÇe Le Brun was denied any formal art training on the basis of her sex. “Such institutional prejudice mattered insamuch as life drawing was the basis of historical painting, the highest genre in the pictorial hierarchy, and one to which ambitious women aspired,” notes Goodden. And so, from the time she first set up her own studio—when she was just an adolescent—VigÇe Le Brun became a painter of portraits, primarily those of French royalty, power brokers, courtiers, and courtesans. For better or worse, she also gained unparalleled access to the royal court and became the chosen portraitist of Marie-Antoinette. Fortunately, her close affiliation with the queen did not doom her to suffer the same grisly fate; she fled Paris in disguise even as the royal family was being forcibly removed from Versailles. Although Le Brun continued to earn a handsome living from the royal ÇmigrÇs who scattered throughout Europe in the wake of the French Revolution, the world she had known disintegrated, and with it her hopes of becoming a painter of history. What she did, though, she did exceptionally well and earned her place as one of only a handful of women admitted to the AcadÇmie Royale in Paris. Without overemphasizing the rarity of her subject, Goodden balances VigÇe Le Brun’s personal adventurousness and her political conservatism with cool objectivity. (8 pages color, 16 pages b&w illustrations)

Pub Date: Jan. 15, 1999

ISBN: 0-233-99021-6

Page Count: 384

Publisher: Collins & Brown/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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