A scholarly, illuminating biography of one of the 18th century’s most successful female portraitists. Although her paintings appear in museums the world over, critics and historians have often given VigÇe Le Brun short shrift, faulting her for the complaisant quality of her art. Here Goodden, a fellow in French at Oxford University, duly notes this tendency but also makes plain the aesthetic and economic constraints within which the artist had to work. For although she was the daughter of a minor portrait painter and precociously talented as a child, VigÇe Le Brun was denied any formal art training on the basis of her sex. “Such institutional prejudice mattered insamuch as life drawing was the basis of historical painting, the highest genre in the pictorial hierarchy, and one to which ambitious women aspired,” notes Goodden. And so, from the time she first set up her own studio—when she was just an adolescent—VigÇe Le Brun became a painter of portraits, primarily those of French royalty, power brokers, courtiers, and courtesans. For better or worse, she also gained unparalleled access to the royal court and became the chosen portraitist of Marie-Antoinette. Fortunately, her close affiliation with the queen did not doom her to suffer the same grisly fate; she fled Paris in disguise even as the royal family was being forcibly removed from Versailles. Although Le Brun continued to earn a handsome living from the royal ÇmigrÇs who scattered throughout Europe in the wake of the French Revolution, the world she had known disintegrated, and with it her hopes of becoming a painter of history. What she did, though, she did exceptionally well and earned her place as one of only a handful of women admitted to the AcadÇmie Royale in Paris. Without overemphasizing the rarity of her subject, Goodden balances VigÇe Le Brun’s personal adventurousness and her political conservatism with cool objectivity. (8 pages color, 16 pages b&w illustrations)
Pub Date: Jan. 15, 1999
ISBN: 0-233-99021-6
Page Count: 384
Publisher: Collins & Brown/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1998
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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