Warm, lively and compassionate.
A Grammy Award–winning Beninese singer/songwriter’s heartfelt memoir, co-authored by Wenrick, about her life as a musician and human rights activist.
Kidjo began her career in entertainment at age 6, when her mother pushed her onto a theater stage and told the little girl to sing. Terrified, the author quickly overcame her fears and realized that she had arrived “home.” The singer began performing with her older brothers and immersing herself in music not only from Benin, but also Togo, France and the United States. Her great artistic awakening came a few years later after she heard Miriam Makeba singing on the radio. The legendary South African singer’s “magical [and] uplifting” voice inspired the young Kidjo to become “just like her.” After high school, Kidjo became a popular solo performer in both Benin and neighboring Togo, but her growing fame also brought her and her family under the scrutiny of an increasingly totalitarian Beninese government. At 23, she fled to Paris, where her path eventually led her to le CIM, the school for jazz. Kidjo pursued her interests in fusions that merged jazz, which fellow students told her “[wasn’t] for Africans,” with traditional African lyrics and rhythms. Her artistic boldness caught the attention of Island Records founder Chris Blackwell, who had discovered such world music icons as Bob Marley and U2. Like most of Blackwell’s protégées, Kidjo also achieved international recognition. Yet it was only after she began doing humanitarian work in Africa for UNICEF that she was finally able to act on her long-standing need to give back to a land that had “given [her] so much.” Richly illustrated throughout with black-and-white photographs, Kidjo’s work celebrates one woman’s courage to use her musical gift “to empower people all over the world.”
Warm, lively and compassionate.Pub Date: Jan. 7, 2014
ISBN: 978-0-06-207179-8
Page Count: 256
Publisher: Harper Design
Review Posted Online: Nov. 25, 2013
Kirkus Reviews Issue: Dec. 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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