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SPIRIT RISING

MY LIFE, MY MUSIC

Warm, lively and compassionate.

A Grammy Award–winning Beninese singer/songwriter’s heartfelt memoir, co-authored by Wenrick, about her life as a musician and human rights activist.

Kidjo began her career in entertainment at age 6, when her mother pushed her onto a theater stage and told the little girl to sing. Terrified, the author quickly overcame her fears and realized that she had arrived “home.” The singer began performing with her older brothers and immersing herself in music not only from Benin, but also Togo, France and the United States. Her great artistic awakening came a few years later after she heard Miriam Makeba singing on the radio. The legendary South African singer’s “magical [and] uplifting” voice inspired the young Kidjo to become “just like her.” After high school, Kidjo became a popular solo performer in both Benin and neighboring Togo, but her growing fame also brought her and her family under the scrutiny of an increasingly totalitarian Beninese government. At 23, she fled to Paris, where her path eventually led her to le CIM, the school for jazz. Kidjo pursued her interests in fusions that merged jazz, which fellow students told her “[wasn’t] for Africans,” with traditional African lyrics and rhythms. Her artistic boldness caught the attention of Island Records founder Chris Blackwell, who had discovered such world music icons as Bob Marley and U2. Like most of Blackwell’s protégées, Kidjo also achieved international recognition. Yet it was only after she began doing humanitarian work in Africa for UNICEF that she was finally able to act on her long-standing need to give back to a land that had “given [her] so much.” Richly illustrated throughout with black-and-white photographs, Kidjo’s work celebrates one woman’s courage to use her musical gift “to empower people all over the world.”

Warm, lively and compassionate.

Pub Date: Jan. 7, 2014

ISBN: 978-0-06-207179-8

Page Count: 256

Publisher: Harper Design

Review Posted Online: Nov. 25, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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