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THE PATIENT ASSASSIN

A TRUE TALE OF MASSACRE, REVENGE, AND INDIA'S QUEST FOR INDEPENDENCE

A footnote to Anglo-Indian history, to be sure, but a telling one, and very well done.

A carefully reconstructed story of political murder that began to unfold a century ago.

The mass killing of protestors in Amritsar on April 13, 1919, is a central moment in Richard Attenborough’s film Gandhi. It is also a moment enshrined in Indian memory—and, in many ways, the beginning of the end of British rule. The officer who ordered the killings, Gen. Reginald Dyer, was forever haunted by his act, writes British journalist and BBC presenter Anand (Sophia: Princess, Suffragette, Revolutionary, 2015, etc.): “His family would always believe that he died of a broken heart” and not the cerebral hemorrhage on the death certificate. While no one can quite agree on how many died there, hundreds or thousands, one man vowed to do something to avenge them, traveling to Britain and laying a careful trap for the colonial governor who had not only authorized the killings, but spent the rest of his days defending them. It took 20 years to enact that vengeance, but, as the author writes, when Udham Singh shot Sir Michael O’Dwyer in central London, he “became the most hated man in Britain, a hero to his countrymen in India and a pawn in international politics”—lauded, among other champions, by Joseph Goebbels as a hero of the anti-British struggle. Anand painstakingly follows Singh’s long path from the killing fields of India to the Houses of Parliament and that climactic moment, which might have resulted in the deaths of many other officials had he used the right caliber for the bullets he fired. Singh was executed for his act, though supporters tried to give him the means to kill himself while in prison—and his jailers therefore even took away Singh’s glasses lest he “break one of the lenses and slit his wrists.” A memorial in Amritsar now commemorates Singh’s act, which, as Anand suggests, was far more nuanced than the simple act of assassination it was made out to be.

A footnote to Anglo-Indian history, to be sure, but a telling one, and very well done.

Pub Date: June 25, 2019

ISBN: 978-1-5011-9570-9

Page Count: 384

Publisher: Scribner

Review Posted Online: April 22, 2019

Kirkus Reviews Issue: May 15, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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