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LOVE SONGS FOR A LOST CONTINENT

Somber but undeniably affecting and profound tales.

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In Felicelli’s (Sparks Off You, 2012, etc.) short story collection, Tamil-Americans struggle to find themselves in a world that persistently marginalizes them.

In the title tale, an unnamed San Franciscan narrator returns to Chennai, his birthplace, to research the legend of the lost continent of Kumari Kandam. It’s a decision that impresses neither his father in the States nor his girlfriend Komakal’s parents in Tamil Nadu. Like the narrator, other characters in these poignant stories deal with questions of identity. Young Hagar of “Everywhere, Signs,” is attending a Pittsburgh school, where, soon after the 9/11 attacks, her fellow students brand her a terrorist—simply because she’s a person of color. In “Elephants in the Pink City,” Kai Sarma’s traditional parents won’t let him date whom he wishes after he comes out as gay; and Susannah, an Indian, is shunned by white and Tamil Brahmin classmates in “The Logic of Someday.” Felicelli typically steeps her tales in metaphors, resulting in audacious approaches to such issues as racism and sexism. For example, in the opening story, “Deception,” Sita is in an arranged marriage to a Bengal tiger. When the big cat dies from poisoning, Sita becomes a murder suspect; local villagers ignore the fact that her husband, a literal beast, had been abusing her. Many other stories take dark turns, including deaths of loved ones and fractured relationships. The brightness of Felicelli’s prose, however, provides a beautiful contrast: “She kept her good eye closed against the fluorescent hospital lights,” she writes in “Snow,” “trying to forget the humiliating sound of the cocktail glass smashing, the shower of glass splinters.” Although each of the 13 stories here can stand on its own, characters do recur in multiple tales. Kai and his sister, Hema, for instance, both appear in “Elephants in the Pink City” and the later “Hema and Kathy,” and Susannah crops up in “Snow” and “The Art of Losing,” which centers on her former boyfriend’s mother, Maisie.

Somber but undeniably affecting and profound tales.

Pub Date: Oct. 1, 2018

ISBN: 978-1-945233-04-3

Page Count: 266

Publisher: Stillhouse Press

Review Posted Online: Oct. 10, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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