Nair’s story may appeal to readers who enjoy novels set in India, but most will want to pass on this overwritten tale.
Nair’s latest novel (Ladies Coupé, 2004, etc.), set in India, traces the intersection of the lives of two individuals undergoing devastating personal tragedies.
Meera’s husband, Giri, fell in love after spying her in the yard of her family home, the Lilac House. After marriage, the couple lived there with their two children and Meera’s mother and grandmother. As of late, Giri has been pressuring Meera to sell the house, but she refuses and won’t tell him why the house cannot be sold. Meanwhile, Jak, a professor who has been living in the United States, is back in India to determine how his beloved oldest daughter, a university student, was injured. Smriti, bedridden and unable to communicate, must be cared for around the clock. All Jak and his wife know about Smriti’s actions prior to her being injured is that she was in an “accident.” He travels to see the place where it happened, hoping to obtain answers from her friends, the police and the doctor at the hospital where she was brought, but no one will talk to him. Jak and Meera meet at a wine launch where Meera, a successful cookbook author, and Giri appear for the last time as a couple. Before the party ends, Giri abandons her and their son, running off to another life without them. Forced to find work in order to support her family, Meera takes a position working as Jak’s assistant, but not before realizing that he is the man who gave her a ride home from the party where her husband dumped her. Frantic about money and unsure of herself, Meera struggles with her change of fortune while Jak faces a future with a child who will never again regain her functionality. Even worse, he can’t seem to resolve the mystery of how she ended up so damaged. Nair tells the story of these two wounded birds through melodramatic prose that grows more plodding with each page.
Nair’s story may appeal to readers who enjoy novels set in India, but most will want to pass on this overwritten tale.Pub Date: April 24, 2012
ISBN: 978-0-312-60677-0
Page Count: 352
Publisher: Minotaur
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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