Not one of this crowd-pleasing author’s best, but a solid, workmanlike B-plus effort.
The cottage on the New Hampshire coast that housed the protagonists of The Pilot’s Wife (1998) and Sea Glass (2002) makes a poignant setting for Shreve’s tale of a young widow thrown into a fraught family drama.
At 29, Sydney Sklar has already been married twice. She’s well aware of the irony that she divorced a pilot because of his dangerous profession, only to have her second husband, a brand-new doctor, drop dead of a brain aneurysm after eight months of marriage. Bad twists of fate lurk in Shreve’s dark narrative, full of glancing references to car accidents and old tragedies the cottage has seen. Sydney is there for the summer to tutor Julie, the sweet but “slow” late-life child of Mr. and Mrs. Edwards (rarely referred to by their first names). Sydney is fond of the girl and her father; she and Mrs. Edwards share a mutual dislike. The tension ratchets up with the arrival of Julie’s much older brothers: 35-year-old Ben, a corporate-real-estate agent, and 31-year-old MIT professor Jeff. Sydney doesn’t care for Ben, whom she thinks groped her when the brothers took her body surfing at night, and she’s disturbingly attracted to Jeff, who has a gorgeous girlfriend. The two make an emotional connection looking for Julie one night when she’s late coming home; they make love for the first time (Jeff’s dumped the girlfriend) on the evening Julie runs off to Montreal to live with a lesbian lover no one knew she had. Ben reacts to Sydney and Jeff’s engagement with outrage that seems excessive until the novel’s shocking dénouement, which leaves Sydney to remake her life for the third time. Seen exclusively through her eyes, the other characters are vivid but ultimately opaque, so the novel seems somewhat solipsistic. As a portrait of a woman belatedly coming of age after being buffeted by fate, however, it’s well drawn and will satisfy Shreve’s fans.
Not one of this crowd-pleasing author’s best, but a solid, workmanlike B-plus effort.Pub Date: April 24, 2007
ISBN: 0-316-05985-4
Page Count: 304
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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