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CAMILLE PISSARRO

THE AUDACITY OF IMPRESSIONISM

A spirited life of a painter who deserves both reconsideration and admiration.

A rich biography of the eminent artist of the belle epoque.

Camille Pissarro (1830-1903) was an outsider, a Jew born in the Caribbean who did not arrive in France until he was 25. As Muhlstein, author of Balzac’s Omelette and The Pen and the Brush, writes, he “saw himself as an interloper in French society.” Still, he was held in high esteem by other painters who were breaking away from the prevailing neoclassicism. He became a close friend of Monet, Cézanne, and Degas, a sometime supporter of Paul Gauguin who broke away only because he disliked “Gauguin’s obsession with selling his work.” On that score, Pissarro, an anarchist and bohemian to the core, was often destitute, supporting a gaggle of children with a loving and endlessly patient partner, capable of making a reasonable living from his art only in his 60s. There is some irony to the fact that although Pissarro organized the first of the salons where the “refused” impressionists exhibited their work and was regarded as the first among equals, his fame has been far eclipsed by his peers. Pissarro was also influential in admitting women such as Suzanne Valadon and Mary Cassatt into impressionist circles. As Muhlstein shows, the impressionists could be a querulous bunch, capable of falling out quickly. Pissarro was cast out for a time after he fell under the sway of pointillism and began to produce works in the style of Georges Seurat, another friend he recruited to join his neoimpressionist salons. For all his poverty, writes the author, Pissarro was inspiring enough, with an astonishing work ethic, that his surviving children all became artists—and artists predominate in the fifth generation of his descendants, long after his death.

A spirited life of a painter who deserves both reconsideration and admiration.

Pub Date: Nov. 7, 2023

ISBN: 9781635421705

Page Count: 320

Publisher: Other Press

Review Posted Online: Oct. 4, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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