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PERFECT PRESENTS!

This cute story is like a present and a friendship—to be enjoyed and shared.

The presence of presents cements a friendship.

In this story, a New Zealand import by way of Germany, a tall, potbellied, anthropomorphic horned owl relaxes in an armchair, expecting a visitor. In walks the cheery arrival: a short, slender, yellow-and-black creature resembling a salamander and wheeling a blue shopping cart. The visitor pulls out a cake, declaring, “I made it myself!” and hands it over. The owl promptly swallows it whole. This gift is followed by a colorful “freshly picked!” floral bouquet that also makes its way down the owl’s gullet. Unsurprisingly, a third offering—a gaily wrapped, bow-bedecked box—also gets inhaled whole. After each presentation, the owl expresses their appreciation with a rub of their rotund abdomen. When the owl raises the benefactor to their mouth, readers might well surmise things won’t end well. Surprise, surprise, however: The owl presents a present of their own and a gracious, punning compliment. This short comic, told in very spare language, conveys a sweet, simple message that children should easily comprehend and, hopefully, emulate: Kindness begets kindness. The lively, humorous illustrations, set in two panels per page, are endearingly expressive. The book is a lively conversation sparker, and adults should encourage discussion about the protagonists’ relationship, why the visitor bestowed these gifts, and what presents children would give the owl.

This cute story is like a present and a friendship—to be enjoyed and shared. (Graphic fiction. 3-6)

Pub Date: May 2, 2023

ISBN: 9781776574995

Page Count: 32

Publisher: Gecko Press

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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