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GONER

An articulate and stirring Southern story written from the heart.

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Four sisters keep vigil over their dying father and find themselves reminiscing over a bittersweet family history.

Goethe’s (River Bow, 2013, etc.) nostalgic and affecting novel is set in the Deep South and follows the lives of Matthew and Margaret Sobral and their four daughters: Rebecca, Elizabeth, Kate, and Emily. The book opens in the springtime of 1980 in south Louisiana. The girls’ mother has recently died, and their father has taken to his bed, stricken by a broken heart. As the daughters watch over their dying dad, they recall their childhood growing up in a progressive family in the racially prejudiced South. Intertwined is the story of their parents’ meeting and courtship, she a plucky newspaper reporter and he a genteel headmaster. The tale’s timeline is tacked skillfully and accurately to key historical events of the era. For example, Margaret and Matthew’s lives are affected by a GI—who owns the home they are renting— returning from war on the same day that Margaret gives birth to their first child. Similarly, the emergence of Elvis Presley and the John F. Kennedy assassination have significant impacts on the family, further enhancing the tale’s vivid realism. The sisters’ conversations paint a rich and colorful portrait of growing up in the South, as they recall playing “Devil in the Ditch” against a unique rural backdrop: “It was so scary, the scariest game I ever played,” Elizabeth asserts. And Emily replies, “Because the devil was alive to us….Whatever kid was in the ditch trying to catch us, drag us down, while we jumped back and forth across the ditch, whatever kid that was, truly became the devil.” This capturing of childhood innocence is juxtaposed with deliciously perceptive commentary from the narrator: “Later the sisters will blame their mother for almost everything wrong about them, or their lives. The mothers are the easiest to blame…too meek, too cloying or—in the case of Margaret Sobral—too remote. The mother tends to be the ‘sitting duck’ for the family shooting gallery.” The result is a moving, emotionally intuitive tale, littered with surprises, that brings a branch of the Sobral family tree vibrantly to life.

An articulate and stirring Southern story written from the heart.

Pub Date: May 1, 2017

ISBN: 978-0-9995668-0-0

Page Count: 276

Publisher: 1948

Review Posted Online: Dec. 15, 2017

Kirkus Reviews Issue: Feb. 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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