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GONER

An articulate and stirring Southern story written from the heart.

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Four sisters keep vigil over their dying father and find themselves reminiscing over a bittersweet family history.

Goethe’s (River Bow, 2013, etc.) nostalgic and affecting novel is set in the Deep South and follows the lives of Matthew and Margaret Sobral and their four daughters: Rebecca, Elizabeth, Kate, and Emily. The book opens in the springtime of 1980 in south Louisiana. The girls’ mother has recently died, and their father has taken to his bed, stricken by a broken heart. As the daughters watch over their dying dad, they recall their childhood growing up in a progressive family in the racially prejudiced South. Intertwined is the story of their parents’ meeting and courtship, she a plucky newspaper reporter and he a genteel headmaster. The tale’s timeline is tacked skillfully and accurately to key historical events of the era. For example, Margaret and Matthew’s lives are affected by a GI—who owns the home they are renting— returning from war on the same day that Margaret gives birth to their first child. Similarly, the emergence of Elvis Presley and the John F. Kennedy assassination have significant impacts on the family, further enhancing the tale’s vivid realism. The sisters’ conversations paint a rich and colorful portrait of growing up in the South, as they recall playing “Devil in the Ditch” against a unique rural backdrop: “It was so scary, the scariest game I ever played,” Elizabeth asserts. And Emily replies, “Because the devil was alive to us….Whatever kid was in the ditch trying to catch us, drag us down, while we jumped back and forth across the ditch, whatever kid that was, truly became the devil.” This capturing of childhood innocence is juxtaposed with deliciously perceptive commentary from the narrator: “Later the sisters will blame their mother for almost everything wrong about them, or their lives. The mothers are the easiest to blame…too meek, too cloying or—in the case of Margaret Sobral—too remote. The mother tends to be the ‘sitting duck’ for the family shooting gallery.” The result is a moving, emotionally intuitive tale, littered with surprises, that brings a branch of the Sobral family tree vibrantly to life.

An articulate and stirring Southern story written from the heart.

Pub Date: May 1, 2017

ISBN: 978-0-9995668-0-0

Page Count: 276

Publisher: 1948

Review Posted Online: Dec. 15, 2017

Kirkus Reviews Issue: Feb. 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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