Harries’s first novel is a triumph: a captivating, intelligent work taking the reader to the South Africa of Cecil Rhodes, in 1899, a region on the brink of war. In an elegant merging of idea and character, Harries tells the story of the dying imperialist Rhodes (—The Colossus—), who believes his life will be saved if he can hear again the birds of his native England. With Rhodes begin the themes of the tragedies of power and the quest for control. He hires the Oxford ornithologist Frederick Wills, a private, anxious don, to escort a shipload of songbirds to the Great Granary, Rhodes’s manorial residences. Guests there include Rudyard and Mrs. Kipling and Leander Jameson, the leader of the infamous Jameson Raid that precipitated the Boer War; and Wills embarks on his utopian voyage in the aftermath of the trial and imprisonment of his friend Oscar Wilde, with whom he had studied at Oxford under aesthetician John Ruskin. Having abandoned Wilde to his imprisonment, Wills approaches the Great Granary with a troubled, betrayer’s soul. But great appetites abound as he arrives: Rhodes’s ambition to subjugate Africa, Jameson’s hope of fulfilling his loyalty to Rhodes, the Kiplings” fascination with young innocence—as well as the English power to “civilize.” In deftly written interjections, Wills recalls Ruskin’s obsessions with natural beauty and Wilde’s exhilarating flirtations with sexual and moral taboos. This concentration of aspirations unsettles him, and his own dream of innocent beauty uncorrupted by the human yearning for possession blossoms in his friendship with a South African girl, who enchantingly (and dangerously) flits in and out of view. Harries’s ambition is broad, but her superb control of Wills’s fussy voice—the narrative prism used to view these historical figures—diminishes their “fame” while enhancing the intimacy with which Wills and the reader comprehends them. Far from a costume history, this is a genuinely provocative debut novel about a place and time whose tragedy, folly, and several conflicted hearts are instantly recognizable.
Pub Date: April 1, 1999
ISBN: 1-58234-019-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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