A charming but hardly surprising homage to the power of books.

MORNINGSTAR

GROWING UP WITH BOOKS

A novelist chronicles her life through the books that shaped her.

Like most writers, novelist Hood (The Book that Matters Most, 2016, etc.) loves books. An avid reader since the age of 4, she grew up in a small Rhode Island town in an Italian immigrant family that did not own books. Her school did not have a library, but in second grade, she discovered Little Women and was entranced. Encouraged by her teacher, she was working her way through fourth-grade books by the time the school year was over. Books, writes Hood, gave her “an escape from my lonely school days, where girls seemed to speak a language I didn’t understand,” and inspired “a curiosity about the world and about people.” Although her mother thought that buying books was a waste of money, she saved her allowance for the Nancy Drew series and was elated when a Waldenbooks opened up in a mall nearby. The right book seemed to come at just the right time: when she was 15, for example, Hood first read Herman Wouk’s Marjorie Morningstar and felt that the author “had somehow climbed into my brain and emerged with my story.” Although she only once had met anyone Jewish, she completely identified with Marjorie: “Slightly spoiled. Boy crazy. Curious about sex. Terrified of sex. Raised by prudish, old-school parents.” In The Bell Jar, Hood discovered a girl who wanted to be a writer, just as the author did, and who “expressed the very things I worried over.” Discouraged by teachers and family, though, Hood became a flight attendant, working on a novel in hotels on layovers. The author’s literary taste is eclectic; Victor Hugo, Tolstoy, Dickens, and Frost as well as Irving Wallace, Jacqueline Susann, Harold Robbins, and Rod McKuen are among the writers who invited her into a “big, beautiful world.” We read, she writes, “to know the world and ourselves better. To find our place in that world.”

A charming but hardly surprising homage to the power of books.

Pub Date: Aug. 1, 2017

ISBN: 978-0-393-25481-5

Page Count: 160

Publisher: Norton

Review Posted Online: April 23, 2017

Kirkus Reviews Issue: May 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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