An engaging and provocative contribution to social history.

RAISING AMERICA

EXPERTS, PARENTS, AND A CENTURY OF ADVICE ABOUT CHILDREN

An unfailingly interesting study of a peculiarly American fixation: how to raise a child.

All societies nurture their children, of course, and just about everyone worries about whether their offspring are safe, secure, and well cared for. But ever since the advent of the Industrial Age, writes former New Republic editor Hulbert (The Interior Castle: The Art and Life of Jean Stafford, 1992), Americans have been beset by anxiety in nearly every aspect of child-rearing, worrying that they haven’t been doing their best at it, and their angst hasn’t been helped by the flood of conflicting advice by scientists, pseudo-scientists, and, always, religious leaders. Where the avuncular, Cold War–era Benjamin Spock discouraged corporal punishment for childish misdemeanors, for instance, the bestselling behaviorist John Broadus Watson “scoffed at nonsense about how children ‘develop from within’ ” and warned against parents’ being overly affectionate, sure that this would breed “soft citizens ill suited to an impersonal, organized world”; where Spock and his followers blended a kind of dilute Freudianism with dashes of world anthropology and democratic ideology, an authority of the turn of the 20th century named Anna Rogers urged that there was quite too much concern for emotional well-being among her peers, railing, “If only a mother would strive to put less heart into it all, and more mind!” Hulbert takes her readers on a chronological guided tour through the various psychological and sociological schools that have at one time or another held sway over the last century, pointing out the “inconsistent, often quickly obsolescent, counsel peddled to the public” and relating changing mores to other social shifts. The topic of child-raising continues to absorb us, she writes, and can still generate controversy, as when Judith Rich Harris’s The Nurture Assumption stirred up wide debate after its publication in 1998; even so, no one school of thought dominates the matter today, leaving ever-bewildered parents to sort through “programmatic child-rearing creeds” for themselves and hope that Jack and Jill turn out okay.

An engaging and provocative contribution to social history.

Pub Date: April 15, 2003

ISBN: 0-375-40120-2

Page Count: 384

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

I KNOW WHY THE CAGED BIRD SINGS

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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