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SALA’S GIFT

MY MOTHER’S HOLOCAUST STORY

A cold-eyed look at one woman’s incredible journey through hell and back.

Restrained, well-handled chronicle, told primarily through letters among family members, of the five years spent by the author’s mother in Nazi labor camps.

Sala Garncarz married an American GI at the end of the war and never spoke to her children about her experiences. In 1991, at age 67 and headed for triple-bypass surgery, she handed a box of letters to her daughter. Kirschner, a New York management consultant, translated them and unraveled a terrible saga. Sala was the youngest of 11 children in Sosnowiec, Poland, which before the war enjoyed a thriving Jewish culture much like that of Lódz and nearby Bedzin. At 16, she was rebellious and determined to take her older sister Raizel’s place when the occupying Nazis selected young people from poor homes to work in the growing labor camps. Her “job” was supposed to last for six weeks, but she was instead shuttled for five years among seven camps, part of the slave-labor network that sustained the Nazis’ wartime manufacturing and construction. Part of Sala’s amazing ability to survive was no doubt due to her skill at sewing; she became a seamstress and laundress for the German officers, chosen and accepted as “one clean Jew.” She was also a leader among her peers, attractive and well-liked. Early on, she formed a protective friendship with an older woman named Ala Gertner, and relationships with various men helped her secure favored treatment. Unlike concentration camps such as Auschwitz (where most of her family perished after the roundup at Sosnowiec on Aug. 12, 1942), labor camps permitted inmates to send and receive letters, which were jealously hoarded as frail ties to family and truth. Kirschner allows her mother’s poignant story to emerge from these heartbreaking missives, filling in the gaps with a dignified, quietly eloquent connecting narrative.

A cold-eyed look at one woman’s incredible journey through hell and back.

Pub Date: Nov. 7, 2006

ISBN: 0-7432-8938-2

Page Count: 304

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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