A former member of Manhattan's Wooster Group theater company lightly fictionalizes a scattershot memoir of her West Coast relatives. Rower's disjointed first effort aspires to be a profound commentary on the different lifestyles found on opposite coasts— and yet relies on such insights as ``It's a California thing'' to describe the LA fondness for cars, panic disorders, and security systems. Ann, the narrator, barely disguises her own unpleasant character from the moment she travels to LA for the funeral of her famous uncle, Leo Robin, the Oscar-winning lyricist who also composed Bob Hope's theme song. Over the following years, as she continues to visit the family that Uncle Leo left behindheaded by the wife he married at age 82Ann drools for the family Jaguar, her aunt's diamonds, her uncle's Oscar, and a Henry Miller painting that she does in fact score (``It was all so famous, resonant, and exciting to me''). Ann's greatest transgression, though, becomes apparent in a self-reflexive afterword, where she blithely justifies exploiting her relatives for the sake of art and offers some phony excuses about bettering womankind—including verbatim the suicide note of Uncle Leo's step-granddaughter, an aspiring model in her late 20s who couldn't overcome her debilitating neuroses. Ann's episodic visits west, over a nine-year period, begin at Leo's funeral, with her aunt obsessed over whether Bob Hope will show up at the service. Ann returns four years later to comfort the aunt, named Cherrie, now dying of cancer and zonked out on Valium. Another trip to see the opening of her play (``LSD Just the High Points'') ``was the high point of a very high time for'' her. Meanwhile, Cherrie's family continues to entertain this obnoxious relative who mocks their apparent tackiness, their treatment of their servants, and their unenlightened politics. Some lesbian interludes and a strident call for ``more Amazonian [role] models'' suggest the gender-correct politics that underpin this awkward and amateurish book.
Pub Date: Nov. 1, 1995
ISBN: 1-85242-415-X
Page Count: 200
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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