Hallucinatory and quite mad (Shelley would approve): helpful in deciphering his work but hardly his life.
From Economist editor and biographer Wroe (The Perfect Prince, 2003, etc.), a dreamy, decidedly unorthodox biography of the Romantic poet.
Wroe hastily dispatches the biographical facts, then subsequently jumps around, dropping names and dates she assumes the reader is familiar with. Born in Sussex in 1792 to a landowner and MP against whom he violently rebelled, Shelley attended Eton and Oxford, from which he was expelled in 1811 for an incendiary pamphlet titled The Necessity of Atheism. He capped off an epistolary romance by eloping with 16-year-old Harriet Westbrook, whom he abandoned within two years. In 1814, he ran off with Mary Godwin, the daughter of philosopher William Godwin (who had been Shelley’s mentor) and pioneering feminist Mary Wollstonecraft. In Pisa and Florence, Mary and Percy wrote, lived beyond their means, maintained friendships with Byron and others, then grew estranged as Shelley flirted with their neighbor, Jane Williams. He drowned while sailing with her husband in 1822. For Wroe, these facts are far less important than Shelley’s intense devotion to beauty and to the poet’s role as seer. He dedicated his life to those ideals, probably under a heavy addiction to laudanum. Essential here are the author’s profound readings of and sympathy for Shelley’s poetry, from Queen Mab, The Revolt of Islam and Prometheus Unbound to A Defence of Poetry. She also nicely documents Shelley’s sense of social justice on the one hand, his flagrant egoism on the other.
Hallucinatory and quite mad (Shelley would approve): helpful in deciphering his work but hardly his life.Pub Date: Aug. 14, 2007
ISBN: 978-0-375-42493-9
Page Count: 464
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2007
Sedaris’s sense of life’s absurdity is on full, fine display, as is his emotional body armor. Fortunately, he has plenty of...
Known for his self-deprecating wit and the harmlessly eccentric antics of his family, Sedaris (Me Talk Pretty One Day, 2000, etc.) can also pinch until it hurts in this collection of autobiographical vignettes.
Once again we are treated to the author’s gift for deadpan humor, especially when poking fun at his family and neighbors. He draws some of the material from his youth, like the portrait of the folks across the street who didn’t own a TV (“What must it be like to be so ignorant and alone?” he wonders) and went trick-or-treating on November first. Or the story of the time his mother, after a fifth snow day in a row, chucked all the Sedaris kids out the door and locked it. To get back in, the older kids devised a plan wherein the youngest, affection-hungry Tiffany, would be hit by a car: “Her eagerness to please is absolute and naked. When we ask her to lie in the middle of the street, her only question was ‘Where?’ ” Some of the tales cover more recent incidents, such as his sister’s retrieval of a turkey from a garbage can; when Sedaris beards her about it, she responds, “Listen to you. If it didn’t come from Balducci’s, if it wasn’t raised on polenta and wild baby acorns, it has to be dangerous.” But family members’ square-peggedness is more than a little pathetic, and the fact that they are fodder for his stories doesn’t sit easy with Sedaris. He’ll quip, “Your life, your privacy, your occasional sorrow—it’s not like you're going to do anything with it,” as guilt pokes its nose around the corner of the page. Then he’ll hitch himself up and lacerate them once again, but not without affection even when the sting is strongest. Besides, his favorite target is himself: his obsessive-compulsiveness and his own membership in this company of oddfellows.
Sedaris’s sense of life’s absurdity is on full, fine display, as is his emotional body armor. Fortunately, he has plenty of both.Pub Date: June 1, 2004
ISBN: 0-316-14346-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
An intriguing examination of the complexity of female power in a variety of relationships.
A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”
Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”
An intriguing examination of the complexity of female power in a variety of relationships.Pub Date: March 3, 2020
ISBN: 978-1-9821-2801-2
Page Count: 256
Publisher: Free Press
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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