Colorful, intensely observed, well executed, with lots of black humor and disturbing undertones.

STASILAND

STORIES FROM BEHIND THE BERLIN WALL

Sydney-based Funder’s impressive debut crisply renders her pursuit of East Berlin’s ghosts.

When she was writer-in-residence at the Australia Center in Potsdam, the author became fascinated by the uneasy truce former East Germans kept with their recent Communist past, which was literally all around. The German Democratic Republic’s surveillance apparatus, run by the Stasi (secret police), was more pervasive than elsewhere in the Eastern Bloc; many people became informers, while others had their lives ruined for minor infractions. Funder befriended several survivors, such as Miriam, who was arrested at 16 in 1968 for anti-authoritarian pranks; fearing prison, she attempted to cross the Berlin Wall, served time, and was persecuted for years. (Eventually her lover died, mysteriously, in custody.) A couple the author met had nearly lost their sick child, who was at a better hospital in West Berlin; her landlady was barely able to acknowledge what turned out to be a history of twisted treatment by the Stasi. Similar trials are recalled with cocky humor by survivors like Klaus Renft, once a naïve underground rock star whose band provided youthful GDR residents with “something authentic and unauthorised.” Funder also sought out ex-Stasi workers willing to tell their stories; she had a memorably bizarre encounter with Herr von Schnitzler, a despised pioneer of televised propaganda who defended the regime with undiminished vitriol. Funder shrewdly blends memoir elements with these personal histories and casts an attentive eye on the decrepit landscape with its haunting traces of the old regime, most dramatically expressed by the official effort to untangle the Stasi’s paper trail: an office of so-called “puzzle women” working to restore shredded documents in an effort projected to take 375 years. The former GDR may be out of the news these days, but Funder’s fully humanized portrait of the Stasi’s tentacles reads like a warning of totalitarian futures to come.

Colorful, intensely observed, well executed, with lots of black humor and disturbing undertones.

Pub Date: June 1, 2003

ISBN: 1-86207-580-8

Page Count: 304

Publisher: Granta

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

1776

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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