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FLYING FEET

A STORY OF IRISH DANCE

“Inspired by a true event,” says the dust jacket, as one morning in Ballyconneely two strangers appear, to vie for the job of dance teacher in the village. Michael is slick and dapper; Aidan rough-hewn and windblown, but both are grand dancers indeed. Each chooses a tune for the other to dance to, and the competition takes them from a plank door laid on the ground to a barrelhead to a stone wall. Aidan finally trumps it all by dancing “The Cooley Races” on top of a cottage chimney, until he flies into the air with the power of his steps. (A lift-up page captures the event.) The illustrations recall the colors of the Irish countryside well, but the artist is less successful with the figures, who have blunt, undistinguishable features and ungraceful limbs. The dancers’ feet, however, seen from many angles, are an interesting focus. (note, pronunciation guide, bibliography) (Picture book. 5-9)

Pub Date: March 17, 2005

ISBN: 0-8118-4431-5

Page Count: 36

Publisher: Chronicle Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2005

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MIKE FINK

A tall-tale introduction to the ``King of the Keelboatmen,'' from the time he ran away from home at the age of two days to his literally explosive confrontation with steamboat captain Hilton B. Blathersby. The historical Fink was a cruel man who came to a violent end, but Kellogg depicts him as a friendly-looking, fun-loving youth; indeed, nearly all of the keelboatmen here- -black, white, old, and young—are smiling, clean-cut types, rather at odds with their usual roughneck image. Though Fink spends much of his time wrestling men or bears, Kellogg's description of him seems bland in comparison to his glowing, energetic illustrations, and less heroic than his other legendary figures. (Picture book/Folktale. 6-8)

Pub Date: Sept. 21, 1992

ISBN: 0-688-07003-5

Page Count: 48

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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THE LITTLE RED PEN

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and...

Obviously inspired by "The Little Red Hen," this goes beyond the foundation tale's basic moral about work ethic to explore problem solving, teamwork and doing one’s best.

Nighttime at school brings the Little Red Pen out of the drawer to correct papers, usually aided by other common school supplies. But not this time. Too afraid of being broken, worn out, dull, lost or, worst of all, put in the “Pit of No Return” (aka trash), they hide in the drawer despite the Little Red Pen’s insistence that the world will end if the papers do not get corrected. But even with her drive she cannot do it all herself—her efforts send her to the Pit. It takes the ingenuity and cooperation of every desk supply to accomplish her rescue and to get all the papers graded, thereby saving the world. The authors work in lots of clever wordplay that will appeal to adult readers, as will the spicy character of Chincheta, the Mexican pushpin. Stevens’ delightfully expressive desk supplies were created with paint, ink and plenty of real school supplies. Without a doubt, she has captured their true personalities: the buck-toothed stapler, bespectacled scissors and rather empty-headed eraser.

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and students may take a second glance at that innocuous-looking red pen on the teacher’s desk. (Picture book. 5-8)

Pub Date: April 18, 2011

ISBN: 978-0-15-206432-7

Page Count: 56

Publisher: Harcourt

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 15, 2011

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