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HOUSE OF CHILDHOOD

Dense and deeply moving.

The quest for a sense of belonging motivates a first-generation Jewish American exploring his roots in post-WWII Austria.

Max Berman emigrates from the Austrian village of H in 1928 when he is almost five. His mother, Mira, who never adjusts to America, keeps alive his memory of the gracious home and European bourgeois lifestyle they left behind. As a young soldier in Europe in 1945, Max briefly visits the house in H now occupied by strangers (the Austrian relatives who lived there all died in the Holocaust). A successful, free-wheeling bachelor, Max puts off visiting H again until Mira’s death. Now 50 years old, he returns to Austria to reclaim the house. After months of legal maneuvers, he gains ownership, then returns to New York since he can’t take occupancy until the rent-control tenants die. While in H, Max becomes involved in the small Jewish community of returned survivors. Their leader, Spitzer, is a private, almost saintly man who accepts the local Austrians’ arrogance and defensiveness. Through Spitzer, Max has met Nadja, a young woman who wants to be Jewish. He brings her to America to be educated. She falls in love with him but he breaks off their affair and she must find her way in America alone. Eighteen years pass before the last tenants in H die. Max, almost 70, returns to renovate the house. He rekindles his friendship with Spitzer and begins to write a chronicle of the Jews of H, an indictment of their mistreatment by Christian Austrians through the centuries. Upon Spitzer’s death, Nadja visits H. Max realizes he does love her—but it’s too late. He returns to New York, where he can be himself without the weight of history. Austrian-born Mitgutsch (Lover, Traitor, 1997) writes with a passionate anger that can be discomforting, but her characters’ complex humanity is riveting.

Dense and deeply moving.

Pub Date: Aug. 14, 2006

ISBN: 1-59051-188-3

Page Count: 312

Publisher: Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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