by Anna Mitgutsch ‧ RELEASE DATE: Oct. 1, 1991
A relentlessly unrelieved, even claustrophobic, account of a mother struggling to rear her autistic son in the Austrian provinces. Marta, the only child of lower-class parents, has used her intellectual gifts to move up in the world. Now, with a doctorate and a job she loves, she feels that marriage to wealthy Felix (though she isn't sure she loves him) is the logical next step. But after Marta becomes pregnant, self-centered Felix does nothing to help—and is little better when she eventually gives birth to the beautiful but different Jakob. When Jakob fails to thrive and screams for no reason, Felix first accuses Marta of having had an affair with Jan (who, he suggests, is the father of this strange child); then, like all the specialists Marta consults, he blames her for the child's behavior. What follows is a chronicle of Marta fighting for her child, whom she loves deeply, and struggling to survive the breakdown of the marriage; the cruelty of friends and relatives; the malevolence of neighbors; and the total lack of help, even kindness, from the authorities, both medical and educational. Jakob, like many autistic children, has some extraordinary abilities but will never make the necessary connections, though Marta devotes her life to teaching him. As he grows older, and the persecutions continue, she realizes that the two of them are surrounded by a boundary—``something invisible that they carried about with them.'' It is unlikely to disappear. Yes, mothers are sometimes blamed unfairly; fathers can be selfish; and people are often cruel; and, yes, Mitgutsch (Three Daughters, 1987) has written a searing portrait of a mother's fierce love for her child. But it is a portrait without shading, and this ultimately vitiates the themes.
Pub Date: Oct. 1, 1991
ISBN: 0-15-145978-9
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
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by Anna Mitgutsch & translated by David Dollenmayer
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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