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LARA

THE UNTOLD LOVE STORY AND THE INSPIRATION FOR DOCTOR ZHIVAGO

A sympathetic portrait of a woman who saw her lover in the same “heroic light” as he saw himself.

A British journalist investigates her great-uncle’s love affair.

Boris Pasternak (1890-1960) was 56 and married to his second wife, Zinaida, when he met 34-year-old Olga Ivinskaya and immediately fell in love: “She is so enchanting, such a radiant, golden person,” he exulted. “I never thought I would still know such joy.” Flattered by the attentions of Russia’s most lauded poet, Olga reciprocated his passion. Pasternak (Daisy Dooley Does Divorce, 2007, etc.) draws on family correspondence; memoirs by Olga, her daughter (whom Pasternak interviewed), Boris’ sister and son; and Boris’ own writings to sensitively examine the dramatic relationship as well as to rescue the reputation of the woman whom the Pasternak family derided and denounced. At first, Pasternak worried about discovering that Boris “used Olga” but concluded that he did his best “within the constraints of his domestic situation to honour her and her family,” supporting them financially and trusting Olga “with his most precious commodity—his work. He sought her advice, her editing and typing assistance” and showed his love in his novel Doctor Zhivago, which Pasternak reads as a “long and heartfelt love letter to her.” Nevertheless, Boris comes across as self-absorbed, at best naively romantic, enjoying “the drama of anguish” and torment that he created for long-suffering Olga and his wife and children. He seemed to care nothing about putting them at risk with his defiance of Stalinist policy. He was somewhat protected by fame, but Olga was vulnerable: twice she was arrested, sentenced to years in gulags. “I owe my life and the fact that they did not touch me in those years to her heroism and endurance,” Boris admitted. Yet he was so insensitive that upon her release from prison, he asked her daughter to tell her that their relationship was over. Pasternak’s recounting of the publication of Doctor Zhivago, and Soviet pressure for him to renounce the Nobel Prize in Literature, draws largely on Peter Finn and Petra Couvée’s The Zhivago Affair (2014).

A sympathetic portrait of a woman who saw her lover in the same “heroic light” as he saw himself.

Pub Date: Jan. 24, 2017

ISBN: 978-0-06-243934-5

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: Oct. 4, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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