by Annalee Newitz ‧ RELEASE DATE: Aug. 5, 2025
Effectively both heartwarming and pointed.
In this semicozy tale set in a dystopian near future, robots open their own restaurant, build an unusual found family, and achieve personal growth.
A few years after the war that led to California’s secession from the United States, four robots awake in the flooded San Francisco takeout place where they were contracted to work, abandoned by the restaurant owners, who skipped town to avoid fraud charges. Needing to pay off their contracts and seeking a purpose, they decide to reopen as a noodle shop, even though their limited civil rights mean what they’re doing isn’t entirely legal. Why is it so important to make tasty food when robots can’t eat? To what degree should they pander to human comfort to make this place a success, and more seriously, prevent the authorities from noticing that robots are running a restaurant without human supervision? As they confront these weighty issues as well as the logistics of developing their enterprise, an online review-trolling campaign from “robophobes” threatens to downgrade them out of business. On the surface, this novella could be viewed as the SF equivalent of Travis Baldree’s cozy fantasy Legends & Lattes (2022), about an orc’s quest to establish a coffee shop. But this richly flavored bowl of noodles offers additional toppings, such as edgy social commentary about climate change, PTSD, and the ways in which social media and apps like Yelp and DoorDash gatekeep restaurant publicity, ratings, and sales, creating a distorted depiction of a business with little resemblance to its physical reality. The robots also serve as a metaphor for transgender people specifically and minorities in a general sense, as the story explores the uneasy balance between attempting to assimilate to get along and trying to feel at ease in one’s own body and personhood.
Effectively both heartwarming and pointed.Pub Date: Aug. 5, 2025
ISBN: 9781250357465
Page Count: 160
Publisher: Tordotcom
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Ian McEwan ‧ RELEASE DATE: Sept. 23, 2025
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
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