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AYN RAND AND THE WORLD SHE MADE

A treatment sometimes vitiated by the author’s affection for her subject, but the most thorough we’re likely to see until...

The long career and cluttered personal life of the writer who said she owed no philosophical debts to anyone but Aristotle.

In her debut, magazine journalist and editor Heller calls herself a “strong admirer” of Ayn Rand (1905–1982), who was born in Russia as Alissa Zinovievna Rosenbaum. “Ayn” (rhymes with “mine”) was her father’s nickname for her; no one knows the source of “Rand.” Heller’s admiration is most evident in her diction—throughout, she employs terms like “breathtaking” and “farsighted and brave”—but because she is not purely partisan, she was denied access to the Ayn Rand archives. Still, the author’s research is formidable—her endnotes cover more than 100 pages—and she ably highlights the hues of Rand’s dark side(s). The founder of the philosophy of Objectivism and author of perennial bestsellers The Fountainhead (1943) and Atlas Shrugged (1957) could be petty, vindictive, disingenuous, deceptive and profoundly needy. She frequently quoted her characters as if they were real, and she maintained a secret sexual relationship with the much younger Nathaniel Branden, who was her designated financial and intellectual heir until he betrayed her for a younger woman. Heller spends a large portion of the narrative following the arc of the Branden relationship (he was married, as well), and its complexities and intensities ultimately became pathetic and wearisome. Heller examines Rand’s Russian girlhood (she was a brilliant loner), her emigration and arrival in New York City, her sojourns in Hollywood—where she worked on screenplays and met future husband, actor Frank O’Connor—her struggles to write her massive novels and her battles with the Left. However, the author never convincingly explains Rand’s powerful personal magnetism.

A treatment sometimes vitiated by the author’s affection for her subject, but the most thorough we’re likely to see until Rand’s papers become more accessible.

Pub Date: Oct. 27, 2009

ISBN: 978-0-385-51399-9

Page Count: 576

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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