A richly conceived fantasy with a grand emotional payoff.
In Miles’ debut fantasy novel, an art student’s dreams bring her into contact with a wizard and his extraordinary realm.
Sara Moore studies sculpture at the Hite Institute for the Arts in Louisville, Kentucky. She’s having trouble finishing her final piece that will allow her to graduate and begin a rewarding career as an artist. Her troubled personal life isn’t helping matters; her twin sister, Marilla, has been in a coma following a car accident eight months ago, and her best friend, Peter, could be the love of her life, if only she’d commit to their relationship. Also, Sara’s been having vivid dreams about a strange gnome—and once, she woke with a splinter after dreaming of touching a wooden table. Meanwhile, on a world called Canard, Dane Whitley is a “dewin,” or music mage, who’s capable of harnessing the divine Song without going mad from the accompanying Dissonance. He crafts magical instruments that are forbidden by the conclave, the religious order that’s ruled Canard since the good Storm King sacrificed himself to save the people from the evil Wyrm. Later, when Dane sees an elusive “fae” spirit named Sara, she tells him, “Fire. Fire everywhere. Run.” He follows her command and barely escapes being burned alive by conclave acolytes. Can Dane and Sara somehow forge a bond and solve the problems that plague each other’s lives? Miles offers a dense emotional tapestry for fantasy fans who may be looking for more than swords and sorcery. The intensive worldbuilding involves gnomes who raise human children (known as “deemlings”), shape-changers known as “chymaera,” and a monumentally epic World Tree (“The Tree was enormous, bone white, its top shrouded. It had split perfectly down the center....Clouds served as the Tree’s canopy”). However, although Canard’s narrative ambles forward with wild invention, Sara’s more grounded narrative sings more strongly. The complex family dynamics surrounding Marilla’s situation, for example, could fuel its own novel. Miles’ final revelations promise further layering of reality and fantasy in a planned sequel.
A richly conceived fantasy with a grand emotional payoff.Pub Date: Aug. 30, 2019
ISBN: 978-1-07-222658-1
Page Count: 363
Publisher: CreateSpace
Review Posted Online: Oct. 9, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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