A sensitively intelligent dramatization of the abuse of power.
A mother desperately tries to protect her teenage son from a powerful ring of pedophiles.
Suzanne Ricci discovers her next-door neighbor, Reggie Roman, dead in his home, brutally beaten. The same day, her 14-year-old son, Danny, is arrested for driving Reggie’s Mercedes with his friend Reno, well-known to law enforcement as a prostitute. The police briefly suspect Danny, who happened to spend the evening at Reggie’s home, only to find him dead on his way out the next morning. Defending himself against suspicions of murder, Danny discloses a clandestine life that shocks his unwitting mother. The boy abandons his friends, drops out of art classes, and seems numbed to the world. As a troubled youth coming to grips with his gay identity, Danny befriends Reggie, notorious for the sex-and-drug-besotted parties he hosts in his home, often for influential men. Now caught up in this sordid world, depicted chillingly by Da Vigo (Thread of Gold, 2017), Danny struggles to extricate himself from it. And after his best friend, Grace Stannard, is raped and murdered by a group of pederasts known as The Club, Suzanne becomes committed to bringing them to justice. The group is formidable, however, made up of men with high-ranking positions at the police department, the district attorney’s office, and in the media. But because she fears for her son’s life, she’s left with no choice. The author masterfully builds an atmosphere of darkness and dread. Both Danny and Suzanne are mesmerizingly layered characters. Suzanne is wounded after the sudden death of an unfaithful husband, and Danny’s traumatic encounters with The Club are all the more affecting juxtaposed with the inchoate fragility of his sexual identity. At various points, the novel’s gruesome content is hard to digest, especially those scenes that describe the abuse of children; however, Da Vigo’s treatment of that content is dramatically vivid without a hint of sensationalized license. This is a beautifully crafted and thrilling novel, unflinchingly realistic without sacrificing hope.
A sensitively intelligent dramatization of the abuse of power.Pub Date: N/A
ISBN: N/A
Page Count: 327
Publisher: Dog Ear Publisher
Review Posted Online: June 14, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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