A San Francisco reporter might lose more than her job when her editor forces her to investigate the supposed suicides of two New York breeders of prizewinning dairy cattle.
In this debut novel, Cora Brooks is a veteran on the police beat for the San Francisco Standard. She is 45 and suffering the indignities of “an ungrateful son, a husband who’d found a younger woman, a body run amok,” not to mention an unsympathetic editor who seems bent on replacing her with an Eve Carrington–like rival reporter. Despite her protests, Brooks is dispatched to New York on the whim of her publisher to follow up on a New York Times story about two dead men, found in separate locations. One of them, Sean O’Brien, was the publisher’s friend. The other was Franklin Santerra, a dairyman who, over a four-month period, sold O’Brien three highly insured prize cows, each of which died within four weeks of the transaction. Over the course of a fraud investigation, O’Brien ingested strychnine, and Santerra, four days later, blew his head off with a shotgun. Brooks has her suspicions, not about the case, but concerning the editor’s motivation for sending her: “You think I’ll screw up so you can fire me. Save one layoff.” The seasoned reporter does not anticipate becoming part of the story as she uncovers links to her own haunted past and seeks closure to the mystery of the mother who abandoned her. The book alternates chapters Gone Girl–style, a device that works intermittently. At one point, Brooks is the focus of five consecutive chapters. Others are devoted to Abby, a woman at the turn of the century who becomes involved with an O’Brien ancestor; State Police Maj. Del Somer, who was once married to O’Brien’s widow; and Alice, Brooks’ elusive mother. Da Vigo has a strong sense of place and writes authentically about a profession under siege by corporate takeovers. And in Brooks, she has created a flawed but capable and empathetic character. “You’re a pisser, aren’t you?” Somer asks at one point. “Only in my better moments,” she replies.
Stop the presses! An appealing crime-fiction heroine is born.
Pub Date: April 28, 2017
ISBN: 978-0-9745722-1-5
Page Count: 428
Publisher: Quill Driver Press
Review Posted Online: May 12, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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