BAD DREAMS

The air of strangeness hanging about a new classmate turns out to have just cause in this tale of a bookworm and a child cursed with a unique kind of second sight. “Cursed” is the right word, for not only can’t Imogen help seeing what’s in store for living people, but just touching a book, even a novel, makes her an unwilling participant in whatever terrors or tensions the story inside bears. Observing the reactions Imogen can’t quite conceal, Melanie gradually figures out her terrible secret and its cause—an odd necklace passed down to Imogen by her otherworldly mother. Though Imogen refuses to see it, whenever she takes the necklace off, she becomes a different person, gregarious and free. Melanie faces a tough decision: to keep her nose in her beloved books and out of what is, after all, not her business, or find a way to separate Imogen from the talisman and dispose of it? With some reluctance, Mel concocts a secret, clever plan, only to find in the suspenseful climax that the necklace has powerful defenses of its own that require some unexpected sacrifices to overcome. As in The Tulip Touch (1997), Fine has placed two young people with unusually complex motives and characters into a challenging, sometimes scary situation: readers will not be putting this one down until the last page. (Fiction. 10-12)

Pub Date: June 1, 2000

ISBN: 0-385-32757-9

Page Count: 133

Publisher: Delacorte

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2000

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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NO MATTER WHAT

Small, a very little fox, needs some reassurance from Large in the unconditional love department. If he is grim and grumpy, will he still be loved? “ ‘Oh, Small,’ said Large, ‘grumpy or not, I’ll always love you, no matter what.’ “ So it goes, in a gentle rhyme, as Large parries any number of questions that for Small are very telling. What if he were to turn into a young bear, or squishy bug, or alligator? Would a mother want to hug and hold these fearsome animals? Yes, yes, answers Large. “But does love wear out? Does it break or bend? Can you fix it or patch it? Does it mend?” There is comfort in Gliori’s pages, but it is a result of repetition and not the imagery; this is a quick fix, not an enduring one, but it eases Small’s fears and may well do the same for children. (Picture book. 2-6)

Pub Date: Oct. 1, 1999

ISBN: 0-15-202061-6

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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