Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the...
What becomes of the brokenhearted? That question, asked—and answered equivocally—in the Motown classic, receives a more thorough treatment in Griffin’s debut novel.
Maurice Hannigan, Irish octogenarian and curmudgeon, plans a memorable night at a hotel bar in his native County Meath. As the night wears on, Maurice raises a narrative toast to each of five characters—family members all—to be followed by a solitary stay in the honeymoon suite. As Maurice’s sentimental (yet cleareyed) trip down Memory Lane unfolds, his stories recount early difficulties at a rural school as well as later-in-life successes in the business world. Each stage of his life is illustrated with a tale about one of the five, all now deceased but for a devoted, yet distant, son. The lingering presence of Maurice’s dear departed in his daily life is considerable, but it is the paradoxical absence created by the death of his wife, Sadie, that Maurice cannot adapt to and which propels his night of elegiac remembrances and his plans for thereafter. Small-town rivalries and the lasting repercussions of Maurice’s childhood pocketing of a valuable gold coin recur throughout the five accounts. His soliloquies about these themes and surrounding events lend the novel a playlike structure and feel. (If Milo O’Shea were still available, the most difficult casting decision could easily be made.) Some supporting characters in Maurice’s life are more vividly drawn than others, and his storytelling tends toward the meandering, but, in his defense, the tone never wavers over the course of five fine whisky-and-stout toasts, a credit to the steady thread of melancholy woven throughout.
Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.Pub Date: March 5, 2019
ISBN: 978-1-250-20058-7
Page Count: 336
Publisher: Thomas Dunne Books
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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