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PANCAKES FOR SUPPER!

Quick-thinking frontier gal outsmarts a passel of mean critters in a tale with echoes of a boy, tigers and pancakes. While riding in the back of Mama and Papa’s wagon on the way to Whisker Creek, young Toby goes flying past a surprised eagle, when the vehicle hits a big bump. She lands on a soft pile of snow, and nearly into the arms of a ravenous wolf. Toby bargains for her life with her beautiful blue coat. After the wolf, Toby faces a cougar, a skunk, a porcupine and a bear. By this time, Toby is down to her red long johns, and watches from an evergreen as the five would-be predators turn on each other, racing so fast around the trunk of a maple that they turn into a golden brown puddle. The maple absorbs the puddle, and Mama rewards Toby with a big pancake breakfast. She eats 169, and takes the reins of the horses. Teague’s vibrant oil paintings add humor and style to Isaacs’s All-American tall tale. Totally delightful and a great new spin on an old story. (Picture book. 4-9)

Pub Date: Oct. 1, 2006

ISBN: 0-439-64483-6

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2006

Categories:
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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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