With this seemingly slight day-in-the-life tale, Korkeakivi produces a knowing comedy of manners, a politically charged...
This beautifully modulated first novel follows one day in the life of a British diplomat’s American wife as she organizes a dinner party crucial to her husband’s career.
When the British Ambassador to France falls ill and Clare Moorhouse’s husband Edward must host a last-minute dinner for a visiting VIP, he knows he can count on Clare to pull the dinner together in their Paris apartment. After 25 years of marriage, Clare is adept in her role as diplomatic wife: adaptable, circumspect and as pleasantly neutral as her tasteful attire. But the calm precision with which she arranges the dinner belies her growing anguish as the day proceeds. Learning that Edward may be named Ambassador to Ireland forces Clare to consider the secret about her past she has hidden from him: As a college student in Boston, she fell in love with a young Irish Catholic visiting her aunt; she allowed herself to become Niall’s mule to smuggle money back to Belfast before he deserted her and later supposedly drowned. Then Niall shows up, a flesh-and-blood ghost of her past mistakes. Those memories are dwarfed by her concern over her impetuous younger son Jamie, who’s just been suspended from boarding school on serious charges with political implications. And when a French official is assassinated hours before the party, Clare realizes that her brief street encounter with the primary suspect gives him a possible alibi. Struggling to sort out questions of loyalty, moral expediency and love while calmly carrying out the mundane responsibilities of her life, Clare finds a path to forgiveness and redemption. Yes, this is an homage to Virginia Woolf; echoes of Clarissa Dalloway resonate through Clare Moorhouse, from the pleasure taken in flowers and food to middle aged melancholia to the reunion with a past love, but Clare takes very different lessons from her day than Clarissa.
With this seemingly slight day-in-the-life tale, Korkeakivi produces a knowing comedy of manners, a politically charged thriller and a genuinely moving study of the human heart.Pub Date: April 17, 2012
ISBN: 978-0-316-19677-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
