AN UNEXPECTED GUEST

Name: AN UNEXPECTED GUEST
Author: Anne Korkeakivi
ISBN: 978-0-316-19677-2

by Anne Korkeakivi ‧ RELEASE DATE: April 17, 2012

With this seemingly slight day-in-the-life tale, Korkeakivi produces a knowing comedy of manners, a politically charged...

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This beautifully modulated first novel follows one day in the life of a British diplomat’s American wife as she organizes a dinner party crucial to her husband’s career.

When the British Ambassador to France falls ill and Clare Moorhouse’s husband Edward must host a last-minute dinner for a visiting VIP, he knows he can count on Clare to pull the dinner together in their Paris apartment. After 25 years of marriage, Clare is adept in her role as diplomatic wife: adaptable, circumspect and as pleasantly neutral as her tasteful attire. But the calm precision with which she arranges the dinner belies her growing anguish as the day proceeds. Learning that Edward may be named Ambassador to Ireland forces Clare to consider the secret about her past she has hidden from him: As a college student in Boston, she fell in love with a young Irish Catholic visiting her aunt; she allowed herself to become Niall’s mule to smuggle money back to Belfast before he deserted her and later supposedly drowned. Then Niall shows up, a flesh-and-blood ghost of her past mistakes. Those memories are dwarfed by her concern over her impetuous younger son Jamie, who’s just been suspended from boarding school on serious charges with political implications. And when a French official is assassinated hours before the party, Clare realizes that her brief street encounter with the primary suspect gives him a possible alibi. Struggling to sort out questions of loyalty, moral expediency and love while calmly carrying out the mundane responsibilities of her life, Clare finds a path to forgiveness and redemption. Yes, this is an homage to Virginia Woolf; echoes of Clarissa Dalloway resonate through Clare Moorhouse, from the pleasure taken in flowers and food to middle aged melancholia to the reunion with a past love, but Clare takes very different lessons from her day than Clarissa.

With this seemingly slight day-in-the-life tale, Korkeakivi produces a knowing comedy of manners, a politically charged thriller and a genuinely moving study of the human heart.

Pub Date: April 17, 2012

ISBN: 978-0-316-19677-2

Page Count: 288

Publisher: Little, Brown

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

Categories:

LITERARY FICTION | FAMILY LIFE & FRIENDSHIP

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THE MOST FUN WE EVER HAD

by Claire Lombardo ‧ RELEASE DATE: June 25, 2019

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

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Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

Categories:

LITERARY FICTION | FAMILY LIFE & FRIENDSHIP

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THEN SHE WAS GONE

by Lisa Jewell ‧ RELEASE DATE: April 24, 2018

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.