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TRAVELING MERCIES

SOME THOUGHTS ON FAITH

Brutally honest, sometimes funny vignettes about affirming faith and community in the midst of drug-induced angst. Novelist Lamott’s third autobiographical book (Operating Instructions, 1993; Bird by Bird, 1994) follows her usual pattern of cutting wit and wretched frankness. This memoir, though, is more spiritual than religious: Like many in her boomer generation, Lamott doesn’t hold much truck with churches but has found a meaningful congregation all the same. It is a small, interracial community which lovingly incorporates pariah elements. Lamott circuitously chronicles finding the church (for months, she stayed only for the music, leaving before the sermon) just as she approached a crossroads in her life, finally admitting her alcoholism and other addictions, and starting out on the long road to sobriety (these chapters are among the book’s most chilling, along with her struggles to overcome body-loathing and bulimia). When she was on the verge of becoming a single mom in the late 1980s, the church truly came through for her, with members slipping ten- and twenty-dollar bills into her pockets after Sunday services. Lamott remains an active participant, demanding that her son, Sam, attend church with her most weeks. “I make him because I can,” she explains. “I outweigh him by nearly seventy-five pounds.” Lamott also takes refuge in a wide assortment of friends, many of whom have to deal with life-threatening illnesses as the narrative moves along. In the face of these tragedies, Lamott is refreshingly silent about questions of theodicy, choosing instead just to be there for people in need. Friendship, she claims, is the best salve for anyone’s pain, anyhow. She should know; she’s obviously been through a lot of it. Still, nothing here is self-indulgent. An anguishing account that also heals.

Pub Date: Feb. 1, 1999

ISBN: 0-679-44240-5

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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