Next book

DRAGONFLY NOTES

ON DISTANCE & LOSS

An affecting remembrance in which pinpricks of meaning light the darkness of grief.

Autobiographical essays that outline the days before and after a parent’s death.

“My mother appears regularly to me in the form of a dragonfly—or so I like to think,” writes Panning (Creative Writing/The Coll. at Brockport; Butter, 2012, etc.) at the start of this graceful bereavement memoir. In some cultures, she learned, dragonflies are hailed as the souls of the dead, and she whimsically appropriates this notion as she chronicles the decade following her mother’s demise. Barbara “Barb” Panning died in July 2007, three years after she’d had a mesh bladder sling surgically implanted to correct pelvic organ prolapse. A Food and Drug Administration warning against such slings came into effect the next year, following more than 1,000 complaints about side effects, the author writes. In Barb’s case, these effects included a hematoma and incontinence. A corrective surgery, Panning says, left her mother in hemorrhagic shock, and her organs shut down. After three weeks, the family decided to take her off of life support: “I wanted it to end, but I never wanted it to end,” Panning remembers. She offers similarly nuanced memories of her family’s earlier years. While looking through her mother’s yearbooks and a cache of apology notes that her father wrote to her mom over the years, she wondered why Barb stayed with him, despite his drinking problem, which he even had in high school. Panning, a 2007 Flannery O’Connor Award winner, delivers a remembrance that’s bittersweet with nostalgia and longing, but it never wallows in sadness, highlighting bright spots too—a jazz club outing with her mother, a six-month sabbatical that the author took in Vietnam with her husband and children, and a time when she and her sister re-created their mother’s lemon dessert. There are also dragonfly moments, often appearing as brief interludes between longer essays, including accounts of clouds of the insects surrounding a cruise ship or swarming the author on a jog. To her, the insects represent “sacredness” and “fleeting beauty”—the very things that her narrative seems determined to find.

An affecting remembrance in which pinpricks of meaning light the darkness of grief.

Pub Date: Sept. 18, 2018

ISBN: 978-0-9969816-9-9

Page Count: 258

Publisher: Stillhouse Press

Review Posted Online: Oct. 30, 2018

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview