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THE MUMMY or Ramses the Damned

Here, Rice varies the seasoning for her famous dish: the damnation of immortality. Her new tale, a kind of B-picture novel, is a cross between Karloff's The Mummy, a comic strip, and a gothic romance. Rather than the cloth-of-purple-velvet of the first Lestate novel (Interview with a Vampire), Rice herein spools out gauzy underwriting whose thinness just bastes her story to the page. The virgin heroine is Julie Stratford, the sought-after daughter of a retired shipping magnate who has taken up his hobby full-time: Egyptology. On page one her father discovers the cursed tomb of Ramses the Second—who somehow has been entombed in a site inscribed with Roman and Greek and Egyptian hieroglyphs from the period of Cleopatra—a thousand years after the death of Ramses! Indeed, Ramses, who mastered the elixir of immortality, would return to life from time to time to help out a bewildered Pharaoh when Egypt was in trouble. Unfortunately, he fell for Cleopatra, but she only wanted him to grant immortality to Antony. Now Julie's father is murdered by her besotted rotter of a cousin, who uses a poison from the tomb, and Julie becomes independently wealthy. She takes Ramses' casket (on its way to the British Museum) to her fancy London home—where Ramses springs back to health to save Julie from her murderous cousin. Ramses is superhumanly intelligent, strong, royal, and indestructible, and Rice dangles Julie's virginity under his nose for better than half the book. Ramses' adventures in 1930's London are fairly amusing, as is his return to Cairo. When Ramses recovers the body of Cleopatra from Nile mud and gives her corpse the elixir, he awakens a monster who is nonetheless Julie's chief rival (Julie and Cleo meet in the powder room at the opera). Should Julie drink the awful elixir and join Ramses in the damnation of immortality? There is no question about Rice losing any fans with this lightsome, almost chirpily horrorless horror romance: she won't. Meanwhile, more adventures of Ramses are planned.

Pub Date: June 1, 1989

ISBN: 0345369947

Page Count: -

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1989

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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