AT THE SUPERMARKET

Rockwell’s 1979 classic gets a makeover with new illustrations and an updated story. As in the older version, a young boy and his mother go to the grocery store together. Their grocery cart fills with staples likely to be familiar to readers—bread, milk, eggs, grapes, carrots, paper towels and soap for laundry and dishes. Throughout the trip, Rockwell captures the eager helpfulness of the young boy, as well as his anticipation—the final groceries are the ones that will make his birthday cake. Thanks to brightly colored gouache illustrations, readers go to the store with the pair—no matter what store parents shop in, the artwork reflects commonalities, and the close-up views of the groceries are generic yet easily identifiable. While it’s a shame this update does not do more to include ethnic diversity in the foods acquired and depicted, its quiet clarity is sure to attract newcomers who appreciate the simpler pace of life it reflects. (Picture book. 3-6)

Pub Date: March 30, 2010

ISBN: 978-0-8050-7662-2

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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