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SECRETS OF THE CITY

Very much an insider’s story: a fictionalized rehash of Gotham gossip that most New Yorkers have tired of—and few...

A Borscht Belt version of The Bonfire of the Vanities, in which Roiphe (Married, 2002, etc.) follows the travails of a New York mayor whose city is coming apart at the seams.

Nobody expected much of Mel Rosenberg. They never expected him to become the mayor of New York in the first place, and after he pulls off the election, they don’t really know what he’s planning to do. Mel concentrates at first on the city’s schools, but the shadow of terrorism is soon cast when a string of inexplicable deaths take place. Mel’s daughter Ina, a biologist at the Department of Health, discovers that the deaths are the result of pizza that’s been laced with large quantities of psychotropic drugs (of the sort typically given to lunatics at outpatient clinics). The poison is later traced to Starbucks, and it soon becomes clear that a well-coordinated effort is at play. The mayor enlists the aid of Detective Loew, a cop descended from the legendary Rabbi Loew of Prague, to find out who’s responsible. But, New York being New York, there’s no way the investigation can proceed without political distractions. The Reverend Benjy Crick, a Harlem demagogue, spreads rumors that a (nonexistent) vaccine is being hoarded by Jews and administered in the basements of synagogues. And the mayor’s close friend (and Parking Commissioner) Neil Maguire is soon embroiled in a scandal regarding embezzled funds. (Maguire also has an insane son named Kevin who receives psychotropic drugs as an outpatient.) And there are smaller crises, as well, involving Mel’s social-climbing son Jacob (who wants to get his kids into a tony private school) and Ina (whose Russian brother-in-law Leonid turns out to have some shady connections). New York is ungovernable at the best of times—but now it looks as if it’ll become uninhabitable as well. Can Mel save the city?

Very much an insider’s story: a fictionalized rehash of Gotham gossip that most New Yorkers have tired of—and few out-of-towners will get.

Pub Date: Nov. 1, 2003

ISBN: 1-4000-4945-8

Page Count: 352

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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