by Anne Roiphe ‧ RELEASE DATE: Nov. 1, 2003
Very much an insider’s story: a fictionalized rehash of Gotham gossip that most New Yorkers have tired of—and few...
A Borscht Belt version of The Bonfire of the Vanities, in which Roiphe (Married, 2002, etc.) follows the travails of a New York mayor whose city is coming apart at the seams.
Nobody expected much of Mel Rosenberg. They never expected him to become the mayor of New York in the first place, and after he pulls off the election, they don’t really know what he’s planning to do. Mel concentrates at first on the city’s schools, but the shadow of terrorism is soon cast when a string of inexplicable deaths take place. Mel’s daughter Ina, a biologist at the Department of Health, discovers that the deaths are the result of pizza that’s been laced with large quantities of psychotropic drugs (of the sort typically given to lunatics at outpatient clinics). The poison is later traced to Starbucks, and it soon becomes clear that a well-coordinated effort is at play. The mayor enlists the aid of Detective Loew, a cop descended from the legendary Rabbi Loew of Prague, to find out who’s responsible. But, New York being New York, there’s no way the investigation can proceed without political distractions. The Reverend Benjy Crick, a Harlem demagogue, spreads rumors that a (nonexistent) vaccine is being hoarded by Jews and administered in the basements of synagogues. And the mayor’s close friend (and Parking Commissioner) Neil Maguire is soon embroiled in a scandal regarding embezzled funds. (Maguire also has an insane son named Kevin who receives psychotropic drugs as an outpatient.) And there are smaller crises, as well, involving Mel’s social-climbing son Jacob (who wants to get his kids into a tony private school) and Ina (whose Russian brother-in-law Leonid turns out to have some shady connections). New York is ungovernable at the best of times—but now it looks as if it’ll become uninhabitable as well. Can Mel save the city?
Very much an insider’s story: a fictionalized rehash of Gotham gossip that most New Yorkers have tired of—and few out-of-towners will get.Pub Date: Nov. 1, 2003
ISBN: 1-4000-4945-8
Page Count: 352
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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