An absorbing story about both the supportive and destructive aspects of family entanglements.

Kate and the Kid

A small child’s obvious need puts a world-weary New Yorker in touch with her own vulnerability and capacity for love.

When she first meets young Jenny Gilmour, Kate Andersen has lost her publishing job and her high-powered lawyer boyfriend in the same week, and she is in no mood to be motherly. However, when her neighbor Sally McKean introduces her to the 6-year-old she is babysitting indefinitely, the strange, silent girl tugs at her sympathies, and, almost against her will, Kate finds herself reaching out to Jenny. The lonely child responds to Kate’s simple kindness and slowly emerges from her shell. Kate begins to get some freelance work, and her boyfriend, Roger, calls and apologizes. Just when Kate’s life seems to be back on track, Jenny’s past intrudes in the form of a scheming absentee mother and a gangster who claims to be her father. Determined to protect the child who has become important to her, Kate is drawn into legal problems, physical danger, and the threat of losing Roger again. This engrossing romantic adventure combines mystery and psychological drama in an intricate study of family relationships, economic class, and child abuse, the sometimes-casual portrayal of which is disturbing. Sally, who is presented as basically good-hearted, if rough around the edges, constantly refers to Jenny as “Creephead” and almost always curses at her. Rothman-Hicks and Hicks (Weave a Murderous Web, 2016, etc.) avoid offering simple solutions, and the characters are often the victims of circumstance as well as their own failings. An emotionally incisive ending sidesteps pat resolutions.

An absorbing story about both the supportive and destructive aspects of family entanglements.

Pub Date: April 16, 2016

ISBN: 978-1-61309-869-1

Page Count: 278

Publisher: Wings ePress

Review Posted Online: Nov. 10, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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