Fleming’s transition from first-person opinion pieces to fiction is for the most part effortless: she’s an adept writer...
Two tight, elegantly composed and from-the-gut novellas about the rupturing effects of adultery in essentially loving marriages make up TV commentator Fleming’s (Motherhood Deferred, 1994) natural first foray into fiction.
The restrained and quietly affecting first tale, “A Married Woman,” finds Caroline Betts dyeing her gray hair in the bathroom of the USLA hospital room where her lawyer husband of 40 years, William, lies in an irreversible coma. The two grownup children who visit occasionally, self-engrossed lawyer Katie and sensitive chef Steven, are concerned about their mother’s newly calm state—suspicious, even, that she’s having an affair. But the hair-dyeing is Fleming’s device to wade into Caroline’s memory stores as she sits vigil over her beloved husband, alternately begging him not to leave her and cursing him for the shattering affair he conducted 15 years before with one of Katie’s law school friends. Caroline intuited William’s affair with April, allowing him, magnanimously, to decide for himself whether to return to their marriage or leave. William, a “serious man” and seriously in love, does return to Caroline, but the damaged marriage must reinvent itself. In “A Married Man,” by contrast, Fleming allows her outraged commentator’s opinions to assert themselves, often to hilariously ironic effect: 40ish California financial wizard and uxorious husband David vents his spleen at the TV “forgiveness” therapist that his wife, Marcia, drags him to after she reveals her one-night-stand in the backseat of a car. Ultra-efficient Marcia and their two young boys are all that David desired in life, and her seemingly senseless affair with a Vietnam vet who wears alligator shoes is the ultimate outrage—until he’s forced by adultery-specialist Mr. New Beginnings to forgive and forget.
Fleming’s transition from first-person opinion pieces to fiction is for the most part effortless: she’s an adept writer unafraid of the darknesses (and sex lives) of her characters.Pub Date: Jan. 1, 2003
ISBN: 0-7868-6874-0
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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