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LADDER OF YEARS

Another agreeably offbeat journey back to Tyler country (i.e., Baltimore and environs), where the characters who will fill the big, slightly dowdy, old houses are spellbound by their own homely lives, their routines, their family stories, their recipes for mint pea soup — until something happens to break the spell. For Delia Grinstead, the heroine of Tyler's 13th novel (Saint Maybe, 1991, etc.), it's a kiss — or, more accurately, a lot of kissing — following a chance encounter at the grocery store that awakens her to the idea that perhaps she's had enough of her 20-year marriage to Sam, who can't even offer sufficient explanation why he was attracted to her in the first place. And she seems to have had enough, as well, of her three complaining almost-grown children and her two squabbling sisters, not to mention the workmen forever traipsing through her house. So, Delia leaves. She runs away to a nearby small town and starts over as the unattached, no-nonsense Miss Grinstead. In fairly short order, though, she finds she's accumulated a web of connections in her new community, including her landlady, the couple who run the diner, and the boarder from across the hall. Then, when she takes a new job, caring for a young boy whose mother has left the family, she comes to realize that she may have fled the pull of one domestic spell only to fall into another one. All of Tyler's trademarks are here: comedy, the sweet, blunt edges of romance, and characters so perfectly, achingly drawn you can never decide whether they're the most oddball or most everyday people you've ever come across. Despite all this, Delia's story begins to feel slightly unfocused — it pulls our sympathies every which way. There are allusions here to both King Lear and to fairy tales, but the ending to Delia's adventure is neither tragedy nor happily ever after, but something awkwardly in-between. Still, any journey with Tyler is always worth the ride — and then some.

Pub Date: May 3, 1995

ISBN: 0-679-44155-7

Page Count: 336

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1995

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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