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O

A PRESIDENTIAL NOVEL

So who’s Anonymous? Who cares? O is a worthy read, no matter who the author.

A gossipy, entertaining novel about presidential politics—and if this roman à clef got any more clef, it’d have to be printed on newsprint.

Who is the O of the title? Let’s see: a sitting president who speaks of hope and change, surrounded by Chicagoans, beset by “a disorganized mob of conspiracy nuts, immigrant haters, vengeful Old Testament types, publicity hustlers, and people who just have way too much time on their hands”—to say nothing of a nastily reactionary Republican-dominated House on one side and disappointed progressives on the other. Fill in the blanks on who you think O ought to be; it’s not important, and we might just as well steal a page from Bogart and call him Doghouse O’Reilly. Whatever the case, this worm’s-eye view of extreme politics is a slightly sharper-edged version of The West Wing, dominated by world-weary but once idealistic operatives who dislike being thought of as operatives and who are loyal to a president who’s got just a touch too much on his plate: health care, climate change, war, terrorism and “a big, fat, catastrophic, global recession, courtesy of [O’s] predecessor.” Much of the action centers on wheeler-dealer Cal Regan, who understands politics for the bloodbath it is, though plenty of other people wander by with recognizable name plates (care to guess at the real-world counterpart of Avi Samuelson, “the president’s closest advisor”?). Happily for the nation, things work out OK for most of those concerned—even if O gets dinged up playing hard games of basketball. Did we mention that the president plays basketball? Well, he does, and if that’s not a giveaway... But no matter. It’s a shame that the book is surrounded by the cynical attention-getting ploy of a secret author, who will likely be outed as quickly as was Joe Klein when he published Primary Colors (1996), for the novel stands capably on its own two feet, and it really doesn’t need the extra layer of glitz its handlers layered on. Still, it probably won’t hurt sales.

So who’s Anonymous? Who cares? O is a worthy read, no matter who the author.

Pub Date: Jan. 25, 2011

ISBN: 978-1-4516-2596-7

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Jan. 27, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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